102 is great for guitars, acoustic guitars and strings. Sounds thicker. This may be Neumann's least expensive mic of this type, but there's nothing about the sound that says 'budget'. But also great for vocalists as well. The capsule, which looks to be a little under one inch in diameter, sits in an elastic suspension mount to help isolate it from case vibrations, while the grille incorporates a dense pop screen, obscuring the view of the capsule. Addressing this microphone from an angle may take the edge off of some of the higher frequencies. The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! Included Accessories: Stand Mount, Wood Box. These qualities enable Neumann TLM 103 to capture more accurate audio details, and it can deliver better clarity. This can be done by unscrewing the chrome-plated ring around the middle of the mic. TLM 102 capsule uses some of the same parts as the U89 and BCM series. Web site designed & maintained by PB Associates & SOS. The 102 edges over the 103 slightly in total harmonic distortion. This shows the real versatility of this mic, because I'm not generally a fan of capacitor mics for recording guitar amps. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The TLM102 also did a workmanlike job when I used it on acoustic guitar, and while it might not have conveyed quite as much body depth as some of the mics I normally use for this purpose, it managed to deliver a bright and lively sound that was also smooth (some mics tend to make the string attack sound too gritty). The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Although the integral pop screen reduces popping from plosives, most singers will still need an external pop shield. Where you're recording an acoustic guitar to sit in with a pop mix, this mic does the job well and with ease. 102 sounds flatter with more of a focus on midrange frequencies. The 102 uses a diaphragm similar to the TLM 170 compared to the 103 using a diaphragm design more similar to the U87. Some prefer the brighter top end quality of the 103 while others say the top end sounds harsh on the 103. Another cost‑cutting measure is the lack of pad and filter switches, which makes it very much a 'no‑frills' design — but again, this doesn't impinge on the sound quality. All rights reserved. However, the thread will fit other Neumann‑compatible shockmounts. Re: Why does Liam Gallagher's vocals sound shit? It may not have all the frills of some of Neumann's upmarket mics, or the free shockmounts and camera cases of many Chinese‑manufactured mics, but it holds its own sonically, and it wouldn't be disgraced in the presence of its costlier siblings. Q. If you are interested in contributing, email: Neumann TLM 102 vs Neumann TLM 103: Head-To-Head. 102 sounds flatter with more of a focus on midrange frequencies Unlike some other established microphone manufacturers, Neumann have resisted the urge to produce cheaper models by building them in the Far East, but their TLM range does at least contain some mics that fall into the category of 'affordable' — and these are clearly aimed at the wider project‑studio market as well as professional studio and broadcast applications. Q. The often compared Neumann TLM 102 vs the TLM 103 broken down side by side. However, there are some notable differences between the two that should be reviewed. The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! First Look: Pro Tools | Carbon. PreSonus StudioLive 32SC Series III Mixing Console. It has a very respectable sensitivity of 11mV/Pa at 1kHz into a 1kΩ load, with an equivalent input noise level (A‑weighted) of 12dBA. 103 weighs 450g vs the 102 weighing 210g. What is a "hybrid" audio interface anyway? Why does Liam Gallagher's vocals sound shit? Re: One Synth Challenge V - The Filter Strikes Back! Spoken-word tests reveal a lot about studio microphones, and the TLM102 immediately sounded well‑balanced in this application, without me having applied any EQ. The most recent addition to this line, and the most affordable Neumann studio vocal mic yet, is the TLM102 reviewed here. When comparing this to other microphones such as the TLM 103 (450g) and the Rode NT2A (860g), it just highlights that the TLM 102 is extremely light. The mic comes in simple foam‑lined cardboard box along with a swivel standmount. Win! 103 has a larger diaphragm. With sung vocals, the TLM102 exuded the kind of sonic class normally associated with much higher‑priced studio mics, pushing the vocals to the front yet still allowing them to breathe. Most people will use it as a vocal mic, but the excellent results I achieved using it on my guitar amp came as a pleasant surprise. While there are quieter mics of this type, this is still a reasonably low noise figure and should cause no problems in typical applications — most of which will involve either close or loud sound sources. The 5 Best Budget Microphones For Gaming & Streaming, The 10 Best Podcast Microphones For iPhone, Alesis Quadraverb: Everything You Need To Know. The views expressed are those of the contributors and not necessarily those of the publishers. Further tests with hand percussion produced perfectly usable results, although there was less difference between the TLM102 and some of my budget standbys in this application. The frequency range of the TLM102 extends from 20Hz to 20kHz (‑3dB) and is nominally flat up to 6kHz before that gentle presence rise kicks in. The capsule, with its edge‑terminated diaphragm, makes use of more cost‑effective manufacturing methods than Neumann's high‑end mics, but it has to be said that I couldn't detect any compromises in the microphone's performance. AKAI MPC 3000: The Best Drum Machine of All Time. This response should add air and intelligibility, and when used as a drum mic, should also help give definition to transients. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. I set up some relatively inexpensive (but nevertheless reputable) side‑address mics for comparison and found them to sound either slightly 'spongy' or a touch nasal by comparison. The value punch on the 102 has been the difference maker for a lot of buyers, but not all. Technical Specs Sensitivity and Self-Noise Neumann TLM 102 is a decent mic with good sensitivity and low self-noise. I was very pleasantly surprised, however, when I put the mic up in front of my guitar amp, just off‑axis: it came extremely close to giving me the sound I was hearing in the room, with all the jangle and bite of the amp but no harsh edges. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Used for all kinds of audio recording applications from woodwinds to strings to vocalists and voice. You may login with either your assigned username or your e-mail address. One Synth Challenge V - The Filter Strikes Back! Based around a newly developed large‑diaphragm capsule capable of tolerating SPLs up to 144dB (0.5 percent distortion), the TLM102 is suitable for use with loud instruments such as drums, brass instruments and guitar amplifiers, but it was conceived primarily as a vocal microphone, so it's no surprise to see a slight presence lift above 6kHz. Its sensitivity is somewhat greater (-33 dB as opposed to 102’s -39 dB), and reduced self-noise (7 dBA as opposed to 102’s 12 dBA). A standard 48V phantom power source is required. It weighs around 260g, has a diameter of 52mm, and a length of just 116mm. I'd certainly be happy to make this my go‑to vocal mic — unless I specifically needed something with a more overt character to suit a particular voice — and for those project-studio owners who want just a single decent mic that can tackle a variety of sources as well as vocals, this should prove a very practical choice. Though it looks superficially similar to other Neumann side‑address mics, it is significantly smaller than the likes of the U87. A lovely vocal mic that also seems to manage just about anything else you throw at it. Both are great microphones and produce a lively sound quality in a condenser mic for digital recording. I had the black model in for review, and thought it very stylish, and beautifully made. Expressed as a signal‑to‑noise ratio (A‑weighted relative to 94dB SPL), the figure is specified as 82dB.