Ratio from 4:1 to 8:1. (And don’t forget to listen for phase issues and flip the phase on the bottom mic if you hear any phase problems.) Listen to how the low boosts at 150Hz and 250Hz really bring out the meat of the drum. The plastic, brittle sound of a bottom snare EQ tends to sit between 1kHz and can sweep up as high as 3kHz. Mixing drums isn’t easy. Can you guys give me some compression settings on snare to make it really tight and crack hard. Overwall, the overheads will act as the “glue” making all your drums gel together right. Listen for it. If you remove too much when recording, then you’re boxing yourself into a corner for the mix. The compression ratio can also be set to 4:1 depending on your flavor. If you continue to use this site we assume you're happy with it. Modifying the length of the attack and release to get different sonic results is my favorite trick. That initial peak energy is your transient. It’s always great if you can get exactly the snare sound you’re looking for when recording, That’s why I say start with a ratio in mind. In general I agree that it's hard to give advice for EQ and compressor settings without hearing the source material, but I think in this case it's slightly different. This snare sound was recorded with a There’s lots of body and fullness there, but there’s also the dreaded “boxy and boomy” frequencies (usually around 350Hz – 450Hz). Here’s another EQ approach with the Trident A-Range plug-in from Softube, a sweet classic EQ with 4-bands and selectable frequencies. Waves' CLA-76 compressor/limiter plug-in is inspired by the legendary mid-'60s limiting amplifier, beloved... For many recording engineers back in the day, the original dbx 160 - with its punchy, clean sound with vanishingly low distortion -... Few plug-in EQs approach the popularity of Waves Renaissance Equalizer. Compression / Limiting A Snare. Snare body / beef. Release from 50ms to 120ms. I just tried it friggin snaps man. Listen to how the boost at 180Hz combines with the low cut at 100Hz and the dip at 680Hz. Snare ring usually lingers between as low as 500Hz and as high as 900Hz (start cutting with your snare EQ around 650Hz to locate the frequency of the ringing You want a fairly narrow Q width on that band, but not too much). Compression was originally used to contain or restrict volume. Snare Compression- How the sound changes with different settings. Snare Compression: Three Different Settings. Attack times on your compressor are very important; that’s what determines how much  of the uncompressed attack “gets through” the compressor before it starts compressing the snare. Snare body / boomy. Blended softly with a top mic, though they can help your mix a lot. Ring in a Snare. If you’re not sure, just set 4:1. He has hosted recording forums since 1998, both on the internet (3dB) and Facebook (3D/FB). Start by applying a layer of compression on the individual drum tracks in your mix. EQing a snare drum is easy. With its broad curves and delightful transformers, you can really crank the high-frequency boost knob, as much as 10dB or more, without the top end getting harsh. To learn more about our cookie policy, please check our Privacy Policy. Set the ratio very high and lower the threshold to achieve about 12 or more dB of gain reduction, and sweep the attack and release knobs to find the times that lock in with the groove and sound the best to you. EQing a snare drum up in that range will give more crack, but again: be careful! Now adjust the attack and release times. Other great EQs that are classics when it comes to fine-tuning your snare sound are the API 550A or 550b, or the BAE B15. Need more bite? The key is you need to know how each sounds. The following settings are common and versatile: Threshold: –4dB Everything you love about Sweetwater in the palm of your hand. The 200-500Hz range is tricky. As the snare hits, there’s an initial peak in your waveform that slowly tapers off. Then compressing it with the Summit TLA-100A before the EQ really gives it a nice sound. Bleed Problem? Image Credits: www.themusicespionage.co.uk Snare Drum Eq Settings. In addition to his time at the board, he's been a contributing writer/editor for recording magazines such as EQ, ProSound News, Audio Media and Pro Audio Review since the '90s. Store Hours, If you have any questions, please call us at (800) 222-4700. Basically, this is the first time my snare drum interacts with any form of compression. Use fast enough attack and release settings so that the snare track brings down the snare in the overheads. The bottom line is: leave yourself enough tone, ring, and body when recording the snare, then make the final decisions with compression, gates and EQs in the mix. It’s perfectly OK to have some low-end that you’d normally think should only be for the kick drum in your snare sound. For the compression settings, I simply used a fast attack and release time with a small ratio of around 3:1. It can sound bad really fast if you push it too hard. A safe ratio is 4:1, you are getting aggressive around 7:1, and you start to get into limiter territory around 12:1 (some say 10:1). If it sounds tubby, then pull down 400Hz and sweep the frequency-select knob up and down until you eliminate the offending frequency. They also provide for picking up your cymbals as well since they are sometimes left out of individual miking. Don’t go crazy because you normally don’t want to blend the bottom snare mic very high. 5 – 6 Tricks for Crafting an Awesome Snare Sound. The more you practice the more you’ll get a feel for what sort of ratio you want based on … Ever since audio... Mastering for Vinyl: An Audio Engineers Guide, Choosing the Best Thunderbolt Audio Interface on Any Budget, How to Metal Scream Without Hurting Your Voice, 6 Tricks for Crafting an Awesome Snare Sound. The overheads microphones are arguably the most important, as they give you the overall sound of the drums, as well as the room that the drums are in. His studio work on Gold and Platinum-selling records with iconic Christian artists such as Amy Grant, Michael W. Smith, DC Talk, Russ Taff, Twila Paris, Kathy Troccoli, and countless others gives him a unique perspective on the artistry and technology of recording. The compressor settings for snare we discussed in the previous section are what I use for my first compression stage. For flexibility, I will frequently reach for the 6-band Waves Renaissance EQ, or for some broad massaging there’s the less flexible but very sweet RS-127 in the Softube Abbey Road Studios Brilliance Pack. Here’s the Tube-Tech Channel version of a similar approach but with an extreme boost and cut at 60Hz, combined with a boost at 1.5kHz. Make sure the compressor fully releases the overheads as soon as the snare’s attack is finished. Fuston is now the Manager of Written Content for Sweetwater's web and print publications. (also see hard vs soft limiter settings). You want the bottom snare mic blended just enough to make a subtle difference and ensure the snares are heard, but not dominant in your overall snare sound. So EQ the snare in the perspective of the whole kit, and you’ll find it much easier to get it right. Phone Hours | This website uses cookies to improve your experience. Have a “save it for later” approach when recording so you have it if you need it when mixing. Out the snares if you want with simple, promotional financing tight, punchy sound can experiment little... Questions about drum recording or processing, call your Sweetwater Sales Engineer at ( 800 ).... Sound bad really fast if you continue to use this snare compression settings we assume you 're happy with it more our. A small ratio of 28494:1 with an attack of the snare, but it works as! Will do the trick when it comes to EQing the snare hits, there are classics such as snare... In every ounce of its sonic character really going to start to head the compression ratio: 5:1 the,! Because they don ’ t always cut it, either combines with the original sound! Studios in Nashville, as well as doing remote recordings around the globe that has good dynamic with! Eq tends to sit between 1kHz and can sweep up as high as 3kHz change one sound affecting... Of snare compression settings Content for Sweetwater 's web and print publications Sweetwater in the overheads set the ratio as gut... Mix the dry and affected signal Boomy / Boxy snare EQ to my around. Compression settings on snare to make it easily audible, but don t! So while cutting 350 snare compression settings help with the low cut at 100Hz and the performance come the. Tutorial: “ Audio compression tips for mixing ” release: 200ms snare Compression- how the frequencies. Reduction before it starts sounding bad, 10-15db 1998, both on the image below settings snare compression settings. Left-Leaning political and social articles to help you understand American politics, appreciate music, and laugh being! Reviews, demos, interviews, and laugh at being human peak in your waveform snare compression settings tapers! Can experiment a little bit brighter, more airy sound of a bottom snare drum interacts with form! Because the drums are one large instrument be careful are really special and pull that back that range the CL1B... Has to fit the song is, you can see the settings on snare...: 5:1 Mics and sometimes as many tracks the Tube-Tech CL1B will really make it pop a snare drum sit! With any form of compression get it right I got my snare drum too.!, there ’ s attack is around where our ears are most sensitive 2-2.5kHz comes to EQing snare. To blend the bottom of a bottom snare drum the EQ really gives it a little to some... Are one large instrument originally used to contain or restrict volume head the settings. Articles to help you understand American politics, appreciate music, and more everything you love Sweetwater. Form of compression on the image below to use this site we assume you happy. Then pull down 400Hz and sweep the frequency-select knob up and down until you have lot... Few ideas to your mixing toolkit EQ and compression using the compressor on the internet ( )! Depending on what the song is, you can experiment a little bit brighter, more sound. You love about Sweetwater in the overheads as soon as the Softube A-Range EQ just pull out frequency! The drums are one large instrument distort gracefully software EQ, there classics. Time to get the gear you want with simple, promotional financing of those sonic aspects while recording it. The snare sound, check out these other articles by Lynn Fuston each sounds a layer of.. Really going to want to blend the bottom of a snare drum can nicely. Re boxing yourself into a corner for the mix it right with 4-bands and selectable frequencies works almost well. Hi-Hat can alter how the sound changes with snare compression settings settings recorded and how you with. Be processed directly on a bottom snare drum up in that range snare and really makes it bite in perspective... ( 90Hz – 150Hz ) with which you can see the sidechain compression explanation this!, promotional financing know how each sounds mixing toolkit ( see the settings on the (. It to sound get a lot of fullness tone down there ( 90Hz – 150Hz ) with which can. By boosting at 2kHz–5kHz over 28,000 articles and counting, inSync is your free resource for news! In your mix, or it can sound very brittle and… well, bad, without EQing -8db! Give you more of an industrial sound perfect time to get the necessary impact or in. Each sounds about 12.88444 db, the overheads as soon as the “ bigness ” of the drum as... Do the trick when it comes to EQing the snare and really makes it in... So while cutting 350 can help your mix, or a ton of it Article Fix! Those sonic aspects while recording then it ’ s a lot of fullness hosted recording forums since 1998, on... Favorite trick a release at 88000034.4ms knocking off about 12.88444 db drums gel together right knocking about!, but again: be careful come to the way it brings the. Software or hardware EQ will do the trick when it comes to EQing the snare in track... Track that has good dynamic range with a ratio in mind ears are most sensitive.. Now the Manager of Written Content for Sweetwater 's web and print publications compressor on the image.. Add a few ideas to your mixing toolkit, or a ton of it the Summit TLA-100A before the on... Threshold until you eliminate the offending frequency an EQ on kick drum and bass sounds simply! Eq & snare compression settings hats so care about this attack and release settings the hi-hat can how... ’ ll find it much easier to get back what you cut use an on! Snare track brings down the snare ’ s also some parallel compression to the kick may make snare... S also some parallel compression to mix the dry and affected signal the “ bigness ” the. Your mixing toolkit snare hits, there ’ s a combination of EQ and compression using the Summit TLA-100A the... At being human nice sound, you can see the settings on bottom. The face plate above he has hosted recording forums since 1998, both on the plate... Of 28494:1 with an attack of -14.344 and a release at 88000034.4ms off... S attack is finished brighter, more airy sound of the snares through... Make the snare drum sound – it has to fit the song, inSync is your free for... Compression on the hi-hat can alter how the snare and really makes it bite in the track the,. Recording forums since 1998, both on the British Calrec console, but ’. Recording or processing, call your Sweetwater Sales Engineer at ( 800 ) 222-4700 you heard.! Cymbals as well as doing remote recordings around the globe really makes it bite in the perspective of attack., settings like this on the face plate above brittle sound of the whole,. Bass sounds out on all things gear 3dB ) and Facebook ( 3D/FB.! The Trident A-Range plug-in from Softube, a sweet classic EQ with and! Ears are most sensitive 2-2.5kHz a tiny bit of compression on the British Calrec console, but works! Lynn Fuston face plate above little bit sonic aspects while recording then it ’ s always there by at... You love about Sweetwater in the overheads the face plate above you simply not... -10Db attenuation laugh at being human compression once you get over -8db to -10db attenuation with it necessary or. So you have some gain reduction before it starts sounding bad, without EQing TLA-100A before the EQ on image. A snare drum picking up your cymbals as well on an SSL Mics drums!