These controls greatly expand the plug-in’s tone coloration qualities, and make it a more flexible and versatile creative tool. Anyway, as you may come to realize, Waves Audio is an audio software company that makes what many consider the industry standard softwares for music production. This means that some the links on our site are affiliate links. In any case, the SSL G has enough control on tap to allow you to impart some of its sonic magic without going overboard. A surprisingly useful and versatile plug-in you will want to use again and again. The Abbey Road TG Mastering Chain is a plug-in emulation of the EMI TG12410 console used in countless recordings since the 1970s to the present. 7 Best Waves Plugins for Vocals – [Ultimate Waves Audio Guide], The Best Instrument Cables For Guitar, Bass, and Keyboard. It is equally suited to full mixes and individual tracks, and has proven to be an essential ingredient in many producers’ mixing and mastering chains. At the price that it is going for these days, adding the Linear Phase Multiband Compressor to your collection is a no-brainer. You can certainly use the individual components to process solo tracks if you wish, but strapping it onto your master bus will show you what the plug-in is truly capable of. Waves | SSL G-Equalizer. Apart from the input and output modules, all modules are interchangeable and can be switched on and off. Make your voice heard, share your input and see which EQ gets the top spot. Best Waves Mastering Plugins – VST, AU, AAX Overview, The Best Hardware Synths – A Beginner’s Guide, Modeled after the EQ and dynamics on the legendary SSL G Series console strip, Suitable for master mixes as well as individual instruments, Characteristic warm and vibrant tone that can be pushed to pleasing results, Specifically designed for multiband mastering compression, Controls levels without eliminating dynamics, Five user-definable bands, each with linear-phase crossovers, Ideally suited to identifying and compressing problem areas in the mix, Adaptive threshold, automatic makeup gain, and finite response filters, Modeled after classic hardware Pultec EQs, MEQ-5 focuses on the midrange frequencies, Accurate representation of original hardware PulTec EQP-1A and MEQ-5 EQs, Boost and cut features for overlapping frequency bands result in a unique shelving effect, Option for both manual release and Automatic Release Control (ARC), Bit re-quantization and dithering with noise-shaping filter, Designed specifically for mastering equalization, Five user-definable EQ bands with linear phase crossovers, Also suitable for EQ’ing acoustic instruments, stereo sources, and transient-heavy material, Comes with two components: L1 Limiter and L1+ Ultramaximizer, Increased Digital Resolution (IDR) dithering with noise-shaping filter, Double precision bit resolution processing, 25th Anniversary edition comes with Legacy and Modern interfaces, 25th Anniversary edition includes True Peak domain setting and Automatic Release Control (ARC). 19. Copyright © 2020 MusicProductionNerds.com. 3 – The Sound. The L2 Ultramaximizer is a certified Waves classic that you can use on individual tracks and busses as well as on mastering chains. 89. You probably won’t want to strap this on to every mastering chain you come across, but used judiciously and for the appropriate application, the Renaissance still packs plenty of mojo. Now, in no particular order, here they are: Waves F6 Floating-Band Dynamic EQ Review- Intuitive EQ for all levels. In other words, to make your music playable for radio and online streaming. Limiters are typically used to tame the highest peaks of audio, preventing them from clipping the master buss. Unsurprisingly, most users utilize J37 Tape as a mix sweetener and as a processor for individual stems. Das UAD Pultec EQP-1A ist der Industriestandard für Software-Pultecs. The compressor/limiter module is especially tasty, allowing you to get as clean or as dirty as you wish. It’s got a surprising amount of sophisticated features in a deceptively simple user interface. No round-up of Waves plugins would be complete without mentioning the Q10, Waves very first plugin originally released back in 1992 – and also the first ‘paragraphic’ EQ, a system that we’ve become rather used to but which was an impossibility before computer-based music production. Not only that, but it’s so user friendly that you don’t even have to read the manual if you have some experience with EQ’s and compressors. Compressors are among the most commonly used processors for mastering. Not just for pushing drum, bass, and guitar tracks into meltdown, the L2 is a classic mastering limiter that you will still find use for today. Slate Eiosis AirEQ. Feb 2015 09:20 Uhr Antworten I'll often pull up my Waves API or Neve EQ's and work with their bands, but then switch to the Q-10 because it is so flexible. For even more of that juicy analog character, you can pass the signal through a bit-by-bit recreation of the EMI TG12410 mastering console on its way to the modeled vinyl lathe. 2. Fans of the warm and vibrant sound imparted by vintage console strips are especially appreciative of the sonic character of the Waves SSL G. For many users, the ability to give masters that polished, “produced” sound right off the bat is enough reason to make this a part of the mastering chain. 13. But if character and vintage vibe is what you are after, these plug-ins will certainly fit the bill. Rank your favorites and see which ones are favored by Waves users around the world. Considering how capable it is of causing sonic mayhem, many users tend to use it on moderate settings when mastering. For this reason (among other reasons), they’ve become an industry standard, and many people know it. As with any plug-in strapped onto a mastering chain, you will want to use this one judiciously in order to avoid “overcooking” your mix and squeezing out all the dynamics. Equalizers shape the tonal characteristics of audio, making it brighter or bassier as needed. If you want to learn more about our affiliate partners, click here. The Waves L1 Ultramaximizer is a limiter plugin that is equally capable of performing level maximizing, peak limiting, and re-quantizing duties. Although it is one of the cheapest plug-ins in this roundup, the Linear Phase Multiband Compressor is particularly worthy of mention for its linear phase design. With its ability to apply just the right amount of polish and finish to a master, this one gets high marks from most everyone that has used it. It’s a subjective list to be sure, so I invite you to share your best Waves plugins as well in the comments section. Patches O’Houlihan 13. For this reason (among other reasons), they’ve become an industry standard, and many people know it. Who doesn’t know about the Waves L2 Ultramaximizer? But you’ll be missing out if you didn’t take a look at the other plugins, which offer other specialized features you may need. Now, you can get the same classic vibe and rich, warm character in a modular plug-in form. We’re kicking things off with the most affordable option on our list. ToneBoosters EQ4 is one of the best analog-style EQ plugins around, but it also has some great digital equalization features too. It models the unique tonal characteristics of the EMI TG12410 console used in Abbey Road Studios, giving you a sound that is dripping with character and attitude. At its current price, you even get a great-sounding tape delay emulation that can stand up even dedicated! Quality that users come back to time and time again peak limiting, many. 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